Thursday, 13 December 2012

The Documentary The Establishment Don't Want You To See

Hello Folks i hope you's are well.

Ive came across this Documentary and i'm sure many of you have heard of it and have been wanting to watch it for some time now.

Bookmark, Watch, Download, & Please pass it on to all your friends & family.


BRB



All the Best Folk's



Runlikehell

Sunday, 8 April 2012

You Are Not Accidental

Hello i was reading Osho Zen Cards online & drew this card the other night, and thought ide post it for You.

I hope this helps someone just like it has helped me over the years.

About 20 odd years ago i was having  a very difficult time & strongly contemplated committing suicide.
 i had acquired a cocktail of drug's and was minutes away from taking the lot!

I had a set of Osho Zen cards i had borrowed from a friend, i thought that ide draw a card for the last time, and take whatever wisdom it gave me, followed by  the cocktail of drug's.

As a result i thought ide hold off for one more day at lest, that was 20 odd year's ago, & fortunately im still here today,

when times have been hard and ive felt worthless, at a loss, in great pain, etc, or have thought again of giving up on life completely i try to remember the wisdom that was givin to me that night.





So here it is...


                                                                   1. Existence.




You are not accidental.

Existence needs you. Without you something will be missing in existence and nobody can replace it. That's what gives you dignity, that the whole existence will miss you. The stars and sun and moon, the trees and birds and earth - everything in the universe will feel a small place is vacant which cannot be filled by anybody except you.

This gives you a tremendous joy, a fulfillment that you are related to existence, and existence cares for you. Once you are clean and clear, you can see tremendous love falling on you from all dimensions.


Osho God is Dead: Now Zen is the Only Living Truth Chapter 1


Commentary:

This naked figure sits on the lotus leaf of perfection, gazing at the beauty of the night sky. She knows that "home" is not a physical place in the outside world, but an inner quality of relaxation and acceptance. The stars, the rocks, the trees, the flowers, fish and birds - all are our brothers and sisters in this dance of life. We human beings tend to forget this, as we pursue our own private agendas and believe we must fight to get what we need. But ultimately, our sense of separateness is just an illusion, manufactured by the narrow preoccupations of the mind.

Now is the time to look at whether you are allowing yourself to receive the extraordinary gift of feeling "at "home" wherever you are. If you are, be sure to take time to savor it so it can deepen and remain with you. If on the other hand you've been feeling like the world is out to get you, it's time to take a break. Go outside tonight and look at the stars.



If you know anyone who's having a difficult time carrying on with life, or just having a difficult time in general send them a link to this page please, as i'm sure they will find some comfort and strength.just as i have.

it may or may not not help right away, but think about it, & like me, think about  it for a day or so at lest.


Here is a link (below) to the online cards for people like myself, who don't have a set of cards they can use.

Osho Zen Tarot Cards Online

http://www.osho.com/Main.cfm?Area=Magazine&Sub1Menu=Tarot&Sub2Menu=OshoZenTarot



May This Message Find You with Peace n Love!


Take Care My Friend




Run


Thursday, 5 January 2012

The Rich & Famous Always Ask The Poor To Donate


Why do the rich & famous alway's ask the poor to donate when they themselves are worth millions?

oh ive got 30 million and donated 100 grand

look im all for giving money to charity but, it's a joke!

some loaded celeb asking the poor raise millions.

some folk who have very little give a lot and go without themselves while they live their lives of luxury, it's not as if they go without food, heating, etc, for the cause!
 
im all for the the publicity part, it's when they tell you they only need, to put your hand in our pocket and give and i bet it's probably more the elderly folk who have worked all their lives for fuck all that give most!

don't get me wrong theres a lot of celebs that do give millions, but they dont go public about it much if at all very little

take live aid for example Bob Geldof  30 odd years ago and the children of africa are still starving to death in squailar poverty

"Instead of asking people to give to charity, they should be informing their fans about the reasons charities need to exist in the first place "A Amazon"

i don't know how people can disscuss this kind of stuff year after year without being emotionally charged up and expressing their anger & frustration!

people should all be getting pissed off n angry at them not each other the establishment and all its extenstions! and bollocks manipulation!

If i was sat swearing, would they let me in the house of commons? no!

they can murder, start war's, etc, but i can't sit and fucken swear in parlement.












 
 

The Great Kabab Conspiracy

Why do i crave kebabs when drunk but never sober!!

Why do they taunt me........i do my best, but its just futile to resist their dirty calorie ridden bread bag of evil!!!

it's all part of the great Kabab conspiracy

the fast food industry have an agreement with the brewers.
they put a chemical in the alocohol, that makes you crave ciggerete.

the chemical in the ciggerete, makes you crave kababks
then there's the chemical in the kababs that makes to crave a taxi home which turn, is usally such an ordeal, the first thing you do when you get home?

have another drink to settle yourself down with

then do the same thing all over again

Scotlands Hurricane Baw-Bag!

I wis, right in the middle ae it, was pure crazy out there!

i wis staunding in a phone box wae the girlfriend, some poor guy came running tryed tae get in, i was like no chance pal, coud see the fear in his face was sheer terror!

someone dropped a bank or credit card, & there wis about 4 people belting it doon the road after the thing, shouting at people jumping in front of cars, n that, i had help a wee woman up aff the ground, she got blown over, had tae help her, in tae a bus shelter outta it.

i seen a cat getting blown along the street in front of cars n everyhin!

at first i though it was hedgehog, then it just clamped it's sel on tae the side of a bin like a face hugger outta the sigorney weaver alien films.

earlyer some guy cam swaggering out dominoes pizza, all i heard wis ahhh it's only a bit of..... whoooooooosh right outta his hand.

he dinay even get a wiff ae it! wis ofsky, hurricane bawbag! brilliant, best thing ive seen in ages, to hear that guy shouting & swearing at the wind, priceless!

i went intae poundstretcher tae get oot it for a few mins there was about forty people all walking about the shop, it was obvious we were all there pretending they were buying stuff, tae get outta the wind.

this couple were like that: just get the cheapest thing they've got.

the guy say's, like what? she said i don't know? anything!

i though ya beauty a domestic in poundy's

some woman was like that: ive never been in rain like that before, am soakin

what kind ae rain's she been in?

you could hear folk in the que: oh nooo we've got tae go oot in that again, some lassie said to partner wait a min i forgot tae get bog roll, we better go get cat food tae, he's like we dinay have cat! she's like com'oan!
soon as someone got served we just stood lookin n thought poor guy, the look on his face wis like awww noooo!

i lost a tenner at the cash machine n walked in tae a lamp post, while laughing at everyone else

i didnay go doon though, some joker shouted: here pal! knock yirsel oot hahahaha!
just as one ae they big bin lids flew up it just aboot took the head off him!

went to a cash machine, went tae put ma card in ma pocket, as ma tenner came oot, an woooooosh!
it was gone! it wis half a mile doon the road fore i could even say bastard!

tae make things worse, someone get's off a bus wae a keyboard cat toy!

i coudnay believe it, the bold keyboard cat! ive seen them on the internet & there he is! in the middle ae hurricane bawbag, under someones arm, no geeing two fuck's

i was in tears wae laughter!

a wis like: hey! keyboard cat! play em aff!

there it's there, it was the spitting image ae the wan below!





It was crazy out there that day, but  it was well worth it though.

Friday, 16 December 2011

Grinderman Songs


Here's a few Grinderman songs while we wait for the next, Nick Cave & The Bad Seeds Abum.




No pussy blues

http://www.youtube.com/watch?v=UKEgFqag_iU

Electric Alice

http://www.youtube.com/watch?v=68TFKLC1uVw&feature=related



GRINDERMAN

http://www.youtube.com/watch?v=tkKuL8Pp-dM&ob=av2n



Decoration Day 
 
http://www.youtube.com/watch?v=tn_CGUM72ro

LOVE BOMB 

http://www.youtube.com/watch?v=I7fkAOHKdPM&feature=related

 

Honey Bee (Let's Fly to Mars)

http://www.youtube.com/watch?v=-PkJ8LePdrc


Man On The Moon

http://www.youtube.com/watch?v=oujrauQQ-Xk


Go Tell The Women

http://www.youtube.com/watch?v=W5imj9ktFYs

Vortex

http://www.youtube.com/watch?v=1M93B4EeRwU&feature=related

Grinderman
Nick Cave – vocals, electric guitar, organ, piano
Warren Ellis – acoustic guitar, electric mandolin, viola, violin, electric bouzouki, backing vocals
Martyn Casey – bass, acoustic guitar, backing vocals
Jim Sclavunos – drums, percussion, backing vocals









Mickey Mouse And The Goodbye Man

http://www.youtube.com/watch?v=4gLchnoNOAo&feature=related 

Worm Tamer

 http://www.youtube.com/watch?v=IPfuiT5XstU&feature=related

Heathen Child

http://www.youtube.com/watch?v=5LU3THF_058&feature=related

What I Know

http://www.youtube.com/watch?v=nw27gYfZ49g

Palaces Of Montezuma

http://www.youtube.com/watch?v=30U1-5-k1P4

Bellringer Blues

http://www.youtube.com/watch?v=1km7-SEFWP4&feature=related


Grinderman

Nick Cave – lead vocals, electric guitar, organ, piano, production
Warren Ellis – acoustic guitar, viola, violin, electric bouzouki, electric mandolin, backing vocals,

production
Martyn Casey – bass guitar, acoustic guitar, backing vocals, production
Jim Sclavunos – drums, percussion, backing vocals, production


Nick Cave: Grinderman are 'over'



Nick Cave has ended Grinderman's latest tour by announcing that the band is "over". The group played their final show on Saturday night, at the Meredith music festival in Victoria, Australia.

For their last gig, the hirsute quartet played to 12,000 people at the outdoor festival, gnashing and snarling through their headlining set. But then at the end came the news: "That's it for Grinderman," Cave growled, according to the Vine. "It's over … See you all in another 10 years when we'll be even older and uglier."
In some ways this isn't a surprise. Grinderman were always a side project, formed by Cave and three other Bad Seeds. Although they released two albums, in 2007 and 2010, Cave has completed one Bad Seeds LP and at least four movie soundtracks in the same period. Grinderman violinist Warren Ellis will soon release his eighth album with the Dirty Three. "There [will] be no Grinderman 3," Cave told Mojo magazine in October. "We're shutting it down."

Cave's next project is thought to be the Bad Seeds' 15th studio album, the follow-up to 2007's Dig, Lazarus, Dig!!! "We're quite excited about [it]," said Jim Sclavunos, drummer for the Bad Seeds and Grinderman, in a January interview. "This'll be the first time the Bad Seeds exist as a wholly different band than they were when they started. Nick's the only remaining person from the original lineup." Bad Seeds co-founder Mick Harvey left the group in 2009.

 http://www.guardian.co.uk/music/2011/dec/12/nick-cave-grinderman?newsfeed=true




News

Grinderman Split: Big Jim Speaks
The Quietus , December 16th, 2011 10:41

"I don't think there should be mourning or rending of garments just yet" says Sclavunos




As we reported on Sunday, last weekend Nick Cave announced the end of Grinderman onstage at a music festival in Victoria. The band haven't issued an official statement as to the reasons behind the split, but drummer and gent Jim Sclavunos has spoken to Faster Louder with some more information.

Sclavunos told the website that the Australian gigs were always intended to be Grinderman's last, saying it was "time to move on". He added that "What happened at Meredith was more a bye-bye than an announcement. An announcement would be like a press release but who knows what will happen in five or 10 years time. My crystal ball is a bit low on batteries at the moment so I can’t predict what the future of Grinderman is – if there is a future. The way I see it is it’s kind of our prerogative as musicians to do whatever we think is the right thing at the time and also to change our minds as we see fit."

Fans of Messrs. Casey, Cave, Ellis and Sclavunos can be relieved, though, that the Grinderman split should lead to new material from The Bad Seeds. "We have kind of neglected Bad Seeds of late," Sclavunos said. "It’s been about four years since we have done anything and I think it’s high time we made some beautiful music together, again."

And for those of you who love classic album reformation tour type deals, there's a tease too: "Grinderman was one of my favourite bands to play with and yes I'm sad to see it go, but there's always the prospect of the dreaded come back tour!"

Wednesday, 14 December 2011

Einstürzende Neubauten - Perpetuum Mobile Album



Perpetuum Mobile 


Ich gehe jetzt
http://www.youtube.com/watch?v=--7pvoSgRT4"]http://www.youtube.c/watch?v=--7pvoSgRT4


 

Ein Leichtes Leises Säuseln
http://www.youtube.com/watch?v=rYCmr70lfsY&feature=related"]http://www.youtube.com/watch?v=rYCmr70lfsY&feature=related




Selbstportrait mit Kater (life on other planets is difficult)
http://www.youtube.com/watch?v=4uFtwZmlVT4&feature=related"]http://www.youtube.co/watch?v=4uFtwZmlVT4&feature=related




Paradiesseits
http://www.youtube.com/watch?v=foAT6RZXgLU"]http://www.youtube.com/watch?v=foAT6RZXgLU




Youme & Meyou
http://www.youtube.com/watch?v=EPayZMyLImg&feature=fvst"]http://www.youtube.com/watch?v=EPayZMyLImg&feature=fvst


 

Ein seltener Vogel
http://www.youtube.com/watch?v=pQK9ULjwrEg"]http://www.youtube.com/watch?v=pQK9ULjwrEg



Dead Friends (Around the Corner)
http://www.youtube.com/watch?v=wUEB0xjCK5A"]http://www.youtube.com/watch?v=wUEB0xjCK5A




Grundstück
http://www.youtube.com/watch?v=BPoQTBSc8Fg"]http://www.youtube.com/watch?v=BPoQTBSc8Fg





                                       


                                          



Einstürzende Neubauten's Offical Site
http://www.neubauten.org/


Einstürzende Neubauten - German Industrial Music Pioneers


                                              


1980 (The Beginning)


Einstürzende Neubauten was formed 1980 in Berlin as a part of the Die Geniale Dilletanten, a dadaistic musical movement that had as a common goal to break down all musical conventions. Einstürzende also gained recognition because of their use of metal plates, electric drills, metal cutters and circle saws as instruments.

On April 1, 1980, Einstürzende Neubauten made their first appearance in the Moon Club in Berlin. The first setup contained Blixa Bargeld (Christian Emmerich, born 12 jan 1959, Berlin), N.U. Unruh (Andrew Chudy, born in New York 9 jun 1957), Beate Bartel and Gudrun Gut

The two female members, Bartel and Gut,had been active through the punk wave and left the band after a short period of performing and founded Mania D.

Einstürzende Neubauten (translated "collapsing" or "imploding new buildings") didn´t do any over night success, but they were talked of. When the new built German Congress Center collapsed just a few days before the opening ceremony and just a few days after the release of their first single, the talk got a new dimension.

Einstürzende Neubauten's logo (a symbol of human with a circle in the head) is an ancient Toltec cave drawing.

Musically they have created a new form of "urban story blues" with a very physically intensive and organic sound, much due to their habit to record the source instead of sample and process sounds digitally. The lyrics are often centered on themes like modern foundering and extreme psychologic states such as love or depression.

Stahlmusik was recorded live to tape in a pillar of the Stadtautobahn Bridge in West Berlin on June 1, 1980, and was released on cassette in October via Blixa Bargeld's "Eisengrau" shop, where the earliest incarnations of the band would often rehearse. Musically, the sound of the album is more conventional than the band's next "album", Kollaps, mainly because percussionist N.U. Unruh had not yet abandoned his drum-kit for the miscellaneous scrap metal of later releases



1981-1982

        


In 1981 the percussionist F.M. Einheit (Frank Martin Strauss, born 18 Dec 1958 in Dortmund) were persuaded by Blixa and N.U. to join Einstürzende Neubauten after an Abwärts concert on a tavern next to the former concentration camp Dachau.

F.M. had formed the punk group Abwärts (roughly translated "Downwards") in Hamburg a few years earlier, in which he played everything that gave noice (tapes, radios etc). As F.M is something of an electronic and musical genius with an history through, among others, Palais Schaumburg, a legendary avant-garde group found by Holger Hiller in 1980, he broadened the sound and the possibility's of the group as he joined.

They released their first LP Kollaps 1981 (English: "Collapse"), a mixture of rough punk rock tunes and industrial noises. The industrial noises were obtained from self-made music machines, electronics, and found objects such as metal plates. The live performances with FM Einheit in the 1980s, which became legendary, included lots of metal banging and destruction on stage



With this setting they recorded their first LP "Kollaps". On their first German tour together with Mekanik Destruktiw Kommandöh and Sprung Aus Den Wolken, Marc Chung (born in Leeds 3 jun 1957), the bass player of Abwärts joined the group.

Alexander von Borsig (Alexander Hacke, Berlin 11 oct 1965) joined the group in 1982. He was at the time only 16 years old, but had been sound technician to Einstürzende for some time as well as a good friend



1983-1984


In 1983, Einstürzende Neubauten recorded their second album Zeichnungen des Patienten O. T. (English: "Drawings of Patient O.T."). The title came from a 1974 book by Leo Navratil, describing the drawings of Oswald Tschirtner an international breakthrough among the critics.

They also created quite some fuzz with a line of spectacular ("terroristic and death-despising") concerts.


Also in 1983, Bargeld joined the band The Birthday Party (featuring Nick Cave and Mick Harvey) as a guitarist. The group was disbanded shortly after, but Bargeld became a long-time member of one of the bands that sprang from The Birthday Party - Nick Cave and the Bad Seeds (again featuring Nick Cave and Mick Harvey).

Bargeld remained a full-time member of two bands, Einstürzende Neubauten and Nick Cave and the Bad Seeds, until 2003, when he quit the Bad Seeds in order to focus on Einstürzende Neubauten.

With the following album, "1/2 Mensch" they got their great breakthrough (though not commercially). It was the first of their albums that had a clear musical structure. Blixa´s lyrics had also become clearer and more precise. On the title track they worked together with Nikkolai Weidemann to compose a choral work. Their concerts also became less like riots.



1985-1989
                                      



The band's next album, Halber Mensch ("Half Man") in 1985, may be seen as a developmental breakthrough. Musical structure became more evident, and Bargeld's lyrics and, especially, his singing changed. He moved from shouted words and phrases toward organized, poetic melodies.

The band played a show in Vancouver, British Columbia, Canada, to kick off their third North American tour. The performance was sponsored by the German Goethe Institute as part of the German contribution to Expo 86. Also scheduled to appear were Test Dept and Skinny Puppy, though not everyone was able to play.

On the tour, the group's experimental and improvised live performance style occasionally caused difficulties with venue management and law enforcement. A performance at The Palladium in Manhattan ended 30 minutes into the set after an improvised pyrotechnics display. The band ignited a small amount of paint thinner in metal pans, and panicked management stopped the performance and cleared the venue.

The one-hour film Halber Mensch (1986) by Sōgo Ishii documents Einstürzende Neubauten's visit to Japan in 1985.

Fourth Album Fünf auf der nach oben offenen Richterskala ("Five on the open-ended Richterscale") in 1987 showed yet another side of the group.

More worked-through and constructed than ever, consisting of atmospheric songs with far more instrumental shiftings than before. Some critics saw this as Blixa had drawn a bit of The Bad Seeds into the Neubauten.

Fünf auf der nach oben offenen Richterskala was a success in both the United States and Japan.

Although, Blixa is not the only one engaged in another group beside Einstürzende Neubauten. In fact, N.U. Unruh is the only member who is not.

F.M. Einheit have played with a lot of more or less permanent settings among the years, producing records for among others KMFDM, Die Krupps and PIG (ex KMFDM). He also restarted Abwärts in 1988, where he is a full time member and started doing recordings in his own name at the same time. He also has his solo project Stein together with Ulrike Haage and have recently recorded with Caspar Brötzmann.

Alexander Hacke joined Crime and the City Solution when Rowland S. Howard left that group in 1988 (as Birthday Party split in 1983, the group became two; Nick Cave and the Bad Seeds and Crime and the City Solution. Both groups have common members and were at times accused to sound the same way. They are both signed to Mute records and are oftened named in the same breath). Alex has also acted as a producer and a session musician in different constellations.

Marc Chung formed Freibank, the Einstürzende Neubauten publishing company when background tapes and sound from their records started to appear frequently on other artist´s records. He also hands the economic aspects of the group.

N.U. Unruh are though engaged in a loose collaboration with the Survival Research Laboratory, an American performance group that build mighty bizarre machinery and blow them up in spectacular ways during their performances.

In 1987 Einsürzende Neubauten performed the music for the theatre play "Andi" on Deutches Schauspielhaus in Hamburg.
This was an excellent opportunity for the German scandal press to introduce Einstürzende Neubauten to a broader public, as they did. Earplugs were given to the theatre public.

Though this, after the premiere, Einstürzende had to give encores. This was a new step for Einstürzende, into the "fine", established culture. They have since written music for a handful of radio-theater and theater plays, ballets and dance academies (not always without confrontations, as the group often is considered as sensationalistic amateurs by the more established cultural society). Mufti is the Neubauten-member most engaged in theater.

In 1989 the fifth album Haus der Lüge ("House of the Lie") was also a success in the United States and Japan.
It marked a new point of direction, already hinted with Fünf auf nach..., but never clearly stated. With stricter rhythmic, even clearer musical directories and more political lyrics it gave a sharper profile for the group and made them more accessible to a wider public.
This strength was further manifested on a following world tour.



1990-1995
                                  


In 1990 Einstürzende Neubauten signed with the record company Mute. The sublabel EGO was formed 1991. This sublabel only releases different side projects by Einstürzende and its members.

The first release on this sublabel were in 1991, the band tried something completely new, recording the soundtrack for East German playwright Heiner Müller's play Die Hamletmaschine ("The Hamlet Machine") for East German radio Rundfunk der DDR. where Blixa perform Hamlet and Neubauten present the soundtrack

The band image of Einstürzende Neubauten changed: Blixa Bargeld, formerly wearing punk/industrial style clothes, appeared at the live concerts in a suit.

1991 also saw the release of the double album, a best-of and rarities album, Strategies Against Architecture II. This collection included a musical setting of Heiner Müller's piece "Bildbeschreibung" ("Explosion of a Memory" or "Description of a Picture" in English).

In Vienna, May 1992, Einstürzende Neubauten performed at The Academy of Fine Arts' 300th anniversary in a show by Erich Wonder, Das Auge des Taifun ("The eye of the typhoon").

The next album Tabula Rasa (1993) was an important turning point in the band's history, their music becoming softer and containing more electronic sounds. Martin Munsch, a Factory QC mastering engineer for the album's final mass duplication in New Jersey, commented on the production as being one of their most insidious to date.

Tabula Rasa was the first album where Einstürzende Neubauten performed any songs on another language than German. The album was a very well produced further development of the former "Haus der Lüge". They also presented some of their works for the "LaLaLa" dance academie.

Mark Chung left the band in 1994 after recording Faustmusik, and made a career in the music industry. F.M. Einheit, who contributed much to the music and sound of the band, left the band a short time later in 1995, during the recording of the Ende Neu album, at least partially because of a conflict with Bargeld. The last Einstürzende Neubauten track Einheit worked on was "Was ist ist". Roland Wolf replaced them on bass guitar and keyboards only a short time before tragically dying in a car accident in 1995.



1996-1999


A short time later, the band released the album Ende Neu ("Ending New") in 1996. The album title is an example of word-play on the band's own name (i.e. "Einstürzende Neubauten"). Every trace of the early days nihilistic Einstürzende are refreshed to a living Neubauten. This development has taken place without any loss of strength or originality. "Stella Maris", a duet with Blixa and Meret Becker Hacke's then-wife, is one of the most lyrical moments ever produced by the group.


An Instrument!

http://www.neubauten.org/en-photos-instr.html

Singer Meret Becker - became quite famous; a world tour followed the release. During this time, Jochen Arbeit and Rudi Moser (both members of Die Haut) joined the band: Arbeit on guitar, and Moser on drums, with Hacke switching to bass guitar. This line-up, accompanied by Ash Wednesday on keyboards for live concerts, has held ever since.

In 1997, the album Ende Neu Remixes was released, which featured remixes of the songs from Ende Neu by artists such as Barry Adamson and Pan Sonic.



2000-2001


Live at "Tollhaus" in Karlsruhe, May 2000: Alexander Hacke (left) and Blixa Bargeld (right)

From March 27 to May 23, 2000, Einstürzende Neubauten celebrated their 20th birthday with a "20th anniversary tour", playing in the Columbiahalle, Berlin on their exact birthday, April 1, and released the album Silence Is Sexy, followed by a world tour. 2001 also saw the release of another double best-of and rarities album, Strategies Against Architecture III.

Since 2001, Einstürzende Neubauten albums and web projects have been partially produced and supported by Bargeld's wife Erin Zhu, who also serves as webmaster of the official Einstürzende Neubauten website.



2002-2004

                    
In 2002, Einstürzende Neubauten began work on a new album without the backing of a record label, relying instead upon fan ("supporter") participation in an experiment of a type of Street Performer Protocol combined with an internet community and touches of the patronage system. An exclusive Supporter Album No. 1, and the Airplane Miniatures EP following, were made available in 2003.
                    
Bargeld left Nick Cave and the Bad Seeds in 2003. In order to go on tour, the band reneged on the idea of creating a supporter-only album, and cooperated with Mute Records to go on tour and release Perpetuum Mobile in 2004. Air sounds, such as blowing the plastic pipes with an air compressor, were greatly explored and used for this album: the working title of the album was, for a long while, Luftveränderung ("Change of air").

The live shows of the Perpetuum Mobile Tour were recorded by the band's sound engineers, then burned on CDRs with individual pictures of each show taken by Danielle de Picciotto and sold directly after the concerts to the visitors; numerous "official" live albums were created during this tour as a result. Unfortunately, these live albums include some cuts and errors.

In November 2004, the band went on a mini-tour, which included a supporters-only performance at Berlin's Palast der Republik. The performance was filmed and coordinated by Danielle de Picciotto and Ian Williamson and was released on the exclusive supporter's DVD at the end of Phase II.


2005

                                  

The band also started a new project called Musterhaus in early 2005. The first CD Anarchitektur was sent out in May 2005, and was also available for download to Musterhaus subscribers. The Musterhaus project was a "line of releases intended to give the band an outlet for more experimental impulses and exploration." Musterhaus albums were released roughly every 3 months.

The second Musterhaus CD Unglaublicher Laerm ("Incredible noise") was finished on August 15, and shipped out (as well as posted for download) shortly after.

Phase II of the Neubauten Supporter's project finished in August 2005, and the official site was taken down on September 20. The supporter album Grundstück ("Floor-piece") and DVD (containing footage from the November 2004 Grundstück performance in Berlin) was shipped in early October 2005.

Musterhaus #3 Solo Bassfeder ("Solo bass-spring"), released December 8, is a collection of bass spring compositions by the individual members of Einstürzende Neubauten.


                                      


2006

                                   


Phase III of the Supporter's project started on February 10. On February 25, the fourth part of the Musterhaus series, called Redux Orchestra versus Einstürzende Neubauten was completed. One of the new additions to Phase III started in March 2006 was a piece-by-piece album called Jewels, finally finished in August 2007.

Danielle de PicciottoAlexander Hacke´s wife and long time companion releases the DVD documentary "Einstürzende Neubauten - On tour with neubauten.org" which describes the supporter project in detail ,having interviewed international supporters during the Perpetuum Mobile tour in 2004.

Musterhaus #5 Kassetten ("Cassettes"), finished May 15 with release scheduled for May 31. At the same time, Alles was irgendwie nützt ("Everything of any use"), an album that had been in the work since Phase 2, were completed. The album consists of rare live tracks, handpicked by 6 supporters of Phase 2 and mixed by Boris Wilsdorf. This was quickly followed by Musterhaus #6 Klaviermusik ("Piano music"), released on August 31.

In October, Neubauten released a public DVD, the recording made at Palast der Republik.

Musterhaus #7 Stimmen Reste ("Voice Remainders") was released on December 2, consisting of vocal experiments, vocal recordings, and manipulations of voice recordings, enriched with leftover instrumental tracks made with polystyrene, electronic pulses, hammond organ, bass guitar, and metal percussion.



2007-2008


It was announced on the band's website that they would be undertaking a "small (mostly) UK tour" in April 2007, playing in Hannover on April 22 beforehand. Musterhaus #8 Weingeister ("Wine spirits") was released on April 6, forming the final installment of the Musterhaus series. The band also filmed a video for "Nagorny Karabach".

A new commercial album was made available later in the year, the first release since 2004's Perpetuum Mobile. The new album, Alles wieder offen ("All open again"), was released on October 19, 2007 without the backing of a label, a move the band had intended to make with Perpetuum Mobile. Fans who were part of the paid EN community at neubauten.org received access to an album with the same tracks plus a number of extra songs, and an optional DVD about the making of the album.

The band spent the first half of 2008 touring for their new album, and played 32 dates in 19 European countries.



Facts and Rumors


# Blixa Bargeld has worked as a grave digger and as a garbage man, two very well payed jobs in Berlin. He also owned a little store for cassettes and second hand things called Eisengrau.

# For a short period Blixa sung in a punk band before Einstürzende. He mentions this as "just a bunch of kids that wanted me to sing because the way I looked. The only thing which came out of this was that I started singing".

# The primitive man with a sunwheel head that has been Einstürzendes symbol and logotype since the first LP is said to be found at Stonehenge. Other, maybe more reliable, sources say that the band made up this logo themselves.

# The first place they used for rehearsals was a small room within a highway bridge in the outcasts of West-Berlin. Its location was kept as a secret and friends coming to visit were blindfolded. Within the room a candle was always lit to indicate the amount of oxyge.

# Einstürzende´s main inspiration is music they don´t like. When exposed, they listen carefully, analyzes, deconstruct...and react.

# The back cover shot on the first album is a parody on the back cover shot on Pink Floyd´s classical "Umma Gumma"- double album.

# On an early concert in Oslo, Norway, they left the stage by drilling a hole in the wall, through which they escaped.

# After their first German tour in 1981, they refused to play in Western Germany until 1985.

# Nick Cave and The Birthday Party saw a short piece of an Einstürznde show in Dutch television as they toured Holland. They were impressed and became friends with EN. Shortly thereafter they abandoned London and moved to Berlin.

# Other groups have followed the trail where Neubauten were stalkers. Australian SPK renewed their sound and incooperated a big portion of metal junk, Foetus added portions of tortured metal into his songs and British Test Dept. started their career 1981 with metal-only instrumentation. Although none of these groups had the same chaotic and anarchistic attitude towards their deed as their gurus.

# The Halber Mensch-tour were the first tour when they left the pneumatic drills at home. They started the set with "Zerstörte Zelle"

# In USA they made a performance together with the Survival Research Laboratorys in the Mojave desert.

# "How Long" (re-titled "Subterranean World") also appears on Anita Lane's album "Dirty Pearl" in 1993. This release also features EN involvement on the tracks "Blume" (as taken from EN's "Tabula Rasa"), "Picture of Mary" (with Bargeld playing guitar), "Stories of Your Dreams" (guitars by Alex Hacke), and "A Prison In The Desert". This last track is taken from the soundtrack to "Ghost...of the civil dead".

# Performing live in Göteborg, Sweden, they threw molotov cocktails at the public.

# The "Concerto for Voices and Machinery" were performed at the Institution of Contemporary Art in London early 1984. On this legendary occasion Einstürzende Neubauten (without Blixa) were aided by Stevø of Some Bizzare, Frank Tovey (a.k.a. Fad Gadget) and Genesis P-Orridge.
The aim was to incoorperate the sounds performed by the performers into an orchestral arrangement. The instrumentation were made up by concrete mixers, electric saws, acetylene torhes and generators.

Something went wrong and a large piece of the stage were destroyed and the ICA staff forced the concerto to a quick end, but 30 or so hardcore fans refused to leave the hall. The performers later told: "After the breakdown, we decided to try and get below the stage. We´d heard that there were tunnels from (nearby subway station) Whitehall and the Palace running underneath the stage and had half the aim of getting to them. But the stage was reinforced. We decided to stop when it looked like someone might get hurt."



http://neubauten.synth.no/index.html

http://en.wikipedia.org/wiki/Einst%C...ende_Neubauten

Pink Floyd Live In Venice Concert



                                            

           A  Live concert by Pink Floyd in Piazza San Marco 1989. 


  





Watch Here
http://www.youtube.com/watch?v=gcxzaBSzlH0

1. Shine You Crazy Diamond
2. Learning To Fly
3. Yet Another Movie
4. Round And Around
5. Sorrow
6. The Dogs Of War
7. On The Turning Away
8. Time
9. The Great Gig In The Sky
10. Wish You Were Here
11. Money
12. Another Brick In The Wall
13. Comfortably Numb
14. Run Like Hell


                                    


A Momentary Lapse of Reason Tour

After the release of A Momentary Lapse of Reason in 1987, Pink Floyd embarked on an 11-week tour to promote the album. The two remaining members of the band, David Gilmour and Nick Mason, along with Richard Wright, had just won a legal battle against Roger Waters and the future of the group was uncertain. Having the success of The Wall shows to live up to, the concerts' special effects were more impressive than ever. The initial "promotional tour" was extended, and finally lasted almost two years, ending in 1989 after playing around 200 concerts to about 5.5 million people in total, including 3 dates at Madison Square Garden (5–7 October 1987) and 2 nights at Wembley Stadium (5–6 August 1988). The tour took Pink Floyd to various exotic locations they had never played before such as shows in the forecourt of the Palace of Versailles, Moscow's Olympic Stadium, and Venice, despite fears and protests that the sound would damage the latter city's foundations.

These shows are documented by the Delicate Sound of Thunder album and video.

Pink Floyd was the second highest grossing act of 1987 and the highest grossing of 1988 in the U.S. Financially, Pink Floyd was the biggest act of these two years combined, grossing almost US$ 60 million from touring, about the same as U2 and Michael Jackson, their closest rivals, combined. Worldwide, the band grossed around US$ 135 million.

The tour marked the first time that the band played in Russia, Norway, Spain, New Zealand and was the first time that had played in Australia since 1973.

 A further concert was held at the Knebworth Festival in 1990, a charity event that also featured other Silver Clef Award winners. Pink Floyd was the last act to play, to an audience of 125,000. During this gig Clare Torry sang backing vocals making it the second and last time she did so. Vicki and Sam Brown also attended as backing vocalists, as well as Candy Dulfer with saxophone solo. The £60,000 firework display that ended the concert was entirely financed by the band.





                                    

David Gilmour (guitars and vocals)
Richard Wright (keyboards and vocals)
Nick Mason (drums and percussion)
Jon Carin (keyboards, synthesizers and vocals)
Tim Renwick (guitars)
Guy Pratt (bass and vocals)
Scott Page (saxophones)
Gary Wallis (percussion
Rachel Fury (backing vocals)
Durga McBroom (backing vocals)
Lorelei McBroom (backing vocals)



Tuesday, 13 December 2011

Seven Ages of Rock Jimi Hendrix


Seven Ages of Rock

The Birth of Rock - Blues-based Rock 1963-1970 (Jimi Hendrix)





A fantastic Documentary On The Guitar Legend.


Watch Here
http://www.youtube.com/watch?v=-Q7mrcCJWZM

 

Biography

by Richie Unterberger
In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. Hendrix was a master at coaxing all manner of unforeseen sonics from his instrument, often with innovative amplification experiments that produced astral-quality feedback and roaring distortion. His frequent hurricane blasts of noise and dazzling showmanship -- he could and would play behind his back and with his teeth and set his guitar on fire -- has sometimes obscured his considerable gifts as a songwriter, singer, and master of a gamut of blues, R&B, and rock styles.

When Hendrix became an international superstar in 1967, it seemed as if he'd dropped out of a Martian spaceship, but in fact he'd served his apprenticeship the long, mundane way in

Read More
http://www.allmusic.com/artist/jimi-hendrix-p85934


When Shibli threw the rose


Meditation for the Day, Repentance


If you have done something wrong, go to the person. Be humble, ask his forgiveness. Only he can forgive you, nobody else. And remember, that is the meaning of the word sin: forgetfulness. So now, don't forget again and do the same; otherwise, your asking forgiveness becomes meaningless. Now be careful, be alert, be conscious; and don't do the same thing again. Remember not to commit the mistake again--it should become a decision in you; then you are really repentant.

Repentance can become a very, very deep phenomenon in you if you understand the responsibility. Then even a small thing, if it becomes a repentance--not just verbal, not just on the surface; if it goes deep to your roots, if you repent from the roots; if your whole being shakes and trembles and cries, and tears come out; not only out of your eyes, but out of every cell of your body, then repentance can become a transfiguration.

The first time Shibli's name became known was the time when Mansoor al-Hillaj was being murdered. Many people have been murdered in the past by so called religious people--Jesus was murdered--but there has been never such a murder as happened with al-Hillaj. First his legs were cut off--he was alive--then his hands were cut. Then his tongue was cut, then his eyes were taken out--and he was alive. He was cut in pieces.

And what crime had Mansoor committed? He had said, An'al Hak. It means "I am the Truth, I am God." All the seers of the Upanishads declare this, Aham Brahmasmi--I am Brahma, the Supreme Self." But the Mohammedans could not tolerate it.

Mansoor is one of the greatest Sufis. When they started cutting his hands he looked at the sky, prayed to God and said, "You cannot deceive me! I can see you in everybody present here. You are trying to deceive me? you have come as the murderer? as the enemy? But I tell you, in whatsoever form you come I will recognize you--because I have recognized you within myself. Now there is no possibility of deception."

Shibli was a companion, a friend to al-Hillaj. People are throwing stones and mud in ridicule, and Shibli is standing there. Mansoor is laughing and smiling. Suddenly he starts crying and weeping, because Shibli has thrown a rose at him. Somebody asked, "What is the matter? With stones you laugh--have you gone mad? And Shibli has thrown only a rose flower. Why are you crying and weeping?"

Mansoor said, "People who are throwing stones don't know what they are doing, but this Shibli has to know. For him it will be difficult to get forgiveness from God." He said, "Others will be forgiven because they are acting in ignorance; they cannot help it. In their blindness that's all they can do. But with Shibli--a man who knows! That's why I weep and cry for him. He is the only person who is committing a sin here."

And this statement of Mansoor's changed Shibli completely. He threw the Koran, the scriptures, and he said, "They could not make me understand even this: that all knowledge is useless. Now I will seek the right knowledge." And later on when he was asked, "Why did you throw the flower?" Shibli said, "I was afraid of the crowd--if I don't throw anything, people may think that I belong to Mansoor's group. They may get violent toward me. I threw the flower--just a compromise. Mansoor was right: he wept at my fear, my cowardice. He wept because I was compromising with the crowd." But Shibli understood. The crying of Mansoor became a transformation.


Osho, Zen Transformation Tarot
http://www.osho.com/Main.cfm?Area=magazine&Sub1Menu=tarot&Sub2Menu=oshotransftarot

Second Fall From Grace


A priest was strolling in a glorious
Garden next to a church cemetery.
Deep into daily prayers his serious
Reflection had ceased funereally.
From behind a blackberry bush a man
In agonizing pain pled for his help.

Bloodied, near death he desperately scanned
This holy face and said, “you and me dwelt
In the same house for many, many years
Together. Please tend to my wounds. I must
Not die else many things will disappear
With me.” Sir! You think you know me I trust
But I don’t recognize you, in good faith.
“That’s of no consequence, we are soul mates.”
Sir, I do not understand. What’s your name?

“ First, look into my eyes, what do you see?”
The priest peered into them. I see ill fame.
“Correct! What else?” To a higher degree
I see treachery, deceit and falsehood.
“ True! I am their inspiration, each sin.
I represent all that is deemed not good
The name I go by today is Satan.”
What! Prince of darkness, the living devil?
The infamous enemy of my god?
“The one and only my dear friend, evil
Incarnate. This face is just a facade.”
I’ll not treat your wounds that would ease the pain.
Oh, but you must holy man. I’ll explain.”

“That church and altar, your Sunday sermons
Were built, celebrated and orated
Because of me. Every man and woman
On this earth that was ever created
Knows and fears me due to people like you.
Their lives were and are shaped by your design.

If I die, sin will also perish. Who
Would have need of your shrines
If I did not exist? Now look beyond
Your purpose for living, poor holy man.
Do you wish to sever the unique bond
Between you and me, abandon humans,
Or treat my wounds so that I may still thrive?”

Dejected he chose keeping him alive.


http://www.everypoet.net/poetry/blog...all_from_grace

The Magical Begging Bowl


Meditation for the Day, Desire


When you desire something, your joy depends on that something. If it is taken away, you are miserable; if it is given to you, you are happy. But only for the moment! That too has to be understood. Whenever your desire is fulfilled it is only for the moment that you feel joy. It is fleeting, because once you have got it, again the mind starts desiring for more, for something else.

Mind exists in desiring; hence mind can never leave you without desire. If you are without desire, mind dies immediately. That's the whole secret of meditation.


The Emperor & the begging Bowl

A beggar knocks on the door of an emperor; it is early morning. The emperor was coming out for a morning walk in his beautiful garden; otherwise it would have been difficult for the beggar to have an appointment with him. But there was no mediator to prevent him.

The emperor said, "What do you want?" The beggar said, "Before you ask that, think twice!" The emperor has never seen such a lion of a man; he has fought wars, has won victories, has made it clear that nobody is more powerful than him, but suddenly this beggar says to him, "Think twice of what you are saying, because you may not be able to fulfill it!"

The king said, "Don't be worried, that is my concern; you ask what you want, it will be done!"

The beggar said, "You see my begging bowl? I want it to be filled! It does not matter with what, the only condition is that it should be filled, it should be full. You can still say no, but if you say yes, then you are taking a risk."

The emperor laughed. Just a beggar's bowl... and he is being given a warning? He told his premier to fill the beggar's bowl with diamonds, so that this beggar would know who he was asking.

The beggar again said, "Think twice." And soon it became apparent that the beggar was right, because the moment the diamonds were poured into his begging bowl they simply disappeared!

The word began to spread like wildfire in the capital; thousands of people arrived to watch. When the precious stones were finished the king said, "Bring out all the gold and silver, everything! My whole kingdom, my whole integrity is being challenged." But by the evening everything had disappeared and there were only two beggars left--one used to be the emperor.

The emperor said, "Before I ask your forgiveness for not listening to your warning, please tell me the secret of this begging bowl."

The beggar said, "There is no secret. I have polished it, made it look like a bowl, but it is a human skull. You go on pouring anything into it and it disappears."

The story is tremendously meaningful. Have you ever thought about your own begging bowl? Everything disappears--power, prestige, respectability, riches--everything disappears and your begging bowl goes on opening its mouth for more. And the "more" takes you away from this. The desire, the longing for something else takes you away from this moment.

There are only two kinds of people in the world: the majority are running after shadows; their begging bowls will remain with them till they enter their graves. And a very small minority, one in a million, stops running, drops all desires, asks for nothing and suddenly he finds everything within himself.


Osho, Zen Transformation Tarot
http://www.osho.com/Main.cfm?Area=magazine&Sub1Menu=tarot&Sub2Menu=oshotransftarot

The Vaults





The Edinburgh Vaults or South Bridge Vaults are situated in tunnels built in the 18th century underneath one of the arches of the South Bridge in Edinburgh, Scotland, which was completed in 1788. For around 30 years, the vaults were used to house taverns, cobblers and other tradesmen, and as storage space for illicit material, reportedly including the bodies of people killed by serial killers Burke and Hare for medical experiments.
As the conditions in the vaults deteriorated, mainly because of damp and poor air quality, the businesses left and the very poorest of Edinburgh's citizens moved in, though by around 1820, even they are believed to have left too. That people had lived there was only discovered in 1985 during an excavation, when middens were found containing toys, medicine bottles, plates, and other signs of human habitation.



Background

Edinburgh was a growing community in the late 1700s and two bridges were built to facilitate the expansion, North Bridge and South Bridge, known locally as 'The Bridges'. The South Bridge, built to span the Cowgate gorge between High Street and the growing University of Edinburgh on the Southside, was first proposed in 1775, although work did not begin until August 1785.[2]

Edinburgh's South Bridge should be regarded as more than a simple crossing from Old Town to Southside. It was, in fact, Edinburgh's first purpose built shopping street, and as such as much space as possible was utilised. The bridge itself is a nineteen arch viaduct, although only one arch is visible today, the 'Cowgate arch.' The remaining eighteen arches were enclosed behind tenement buildings built to allow the area to serve as a commercial district. The hidden arches of the bridge were then given extra floors to allow their use for industry. In total there are approximately 120 rooms or 'vaults' beneath the surface of the South Bridge, ranging in size from two metres squared to forty metres squared. South Bridge officially opened for business on 1 March 1788.

                                                            Edinburgh Vaults Room 1

The vault rooms, used as storage space and workshops for the South Bridge businesses, operated as intended for a relatively short space of time. Construction of the bridge had been rushed and the surface was never sealed against water. The vaults began to flood. Abandonment of the vaults began as early as 1795. With the vaults being gradually abandoned by the businesses on the bridge, the empty rooms were adopted and adapted by new users. As the industrial revolution took hold of Britain, the Cowgate area had developed into Edinburgh's slum. Slum dwellers took over the vaults and they became a renowned red light district with countless brothels and pubs operating within the abandoned complex. The vaults also served as additional slum housing for the city’s poor. Living conditions were appalling. The rooms were cramped, dark and damp. There was no sunlight, poorly circulated air, no running water, and no sanitation. Many rooms housed families of more than ten people. Crimes, including robbery and murder, soon plagued the Vaults. Burke and Hare, the infamous serial killers who sold corpses to medical schools, are rumoured to have hunted for victims in the Edinburgh Vaults.




              

                                                                                                                    One of the vaults used as storage space

It is not known when the vaults complex was closed down, with some suggesting as early as c.1835 and others as late as c.1875. Written records regarding the vaults during their slum use are virtually non-existent. All that is known is that at some point tons of rubble were dumped into the vaults making them inaccessible.

The vaults were rediscovered by former Scottish rugby internationalist, Norrie Rowan, after he found a tunnel leading to them in the 1980s. From this tunnel he helped Romanian rugby player Christian Raducanu escape the Romanian secret police and seek political asylum weeks before the Romanian uprising of 1989.

The vaults were excavated by Norrie Rowan and his son Norman Rowan in the 1990s. Hundreds of tonnes of rubble were removed by hand and several interesting artifacts were dicovered including thousands of oyster shells, which were part of the staple diet of the Edinburgh working class.



The vaults on the North Side of the Cowgate arch form a series of tunnels and vaults that make up Mercat Tours and a venue called Marlin's Wynd. The vaults on the South side of the Cowgate arch form a magnificent venue called The Caves. Also the vaults here are used for tours by a company called City of the Dead

.
                                                              Niddry vaults 2


Since then, the Vaults have become a popular tourist destination for professional and amateur ghost-busters, who come to explore their gloomy, candle-lit corridors in the hope of meeting a spirit.

Reported spectral tenants include the cantankerous "Mr. Boots", who nudges tourists, can be heard swearing, and tails tour groups while clomping on the stone floor. Then there’s young "Jack", a boy who giggles as he runs about the dark rooms. Tours to the areas featuring these ghosts are run by Mercat Tours. City of the Dead runs other underground tours.

The frequent reports of paranormal activity and ghost sightings resulted in the UK paranormal entertainment show, Most Haunted, to investigate the vaults in both a 24 hour investigation and for a Most Haunted Live show on Halloween 2006. The television show Ghost Adventures investigated the vaults and claimed to have numerous encounters with spirits there.

In 2001, Professor Richard Wiseman of the University of Hertfordshire invited subjects to spend time in the Edinburgh Vaults. His study concluded that people who believed in ghosts reported more supernatural experiences than disbelievers, that participants consistently reported unusual sensations in areas they were told were haunted, and that there was an increased report of incidents in Vault rooms with a decidedly more sinister visual appearance or stronger cold air flow. Professor Wiseman’s study suggests that visitors may help create the haunted experience they expect to find in the Vaults.

However in 2009 a BBC TV production team filming a one-off TV special featuring Joe Swash recorded unexplained voices in the vaults during an overnight sleepover by Swash. One voice appeared to be that of a Catholic priest reciting the Last Rites. Swash was the only person in the vaults and did not hear the voices himself at the time of recording, despite the sounds being audible on his own microphone. The voices continued to be heard on the recording for some 20 minutes before abruptly ceasing after what appears to be the sound of children yelling. BBC sound engineers initially thought the sounds may be explained by voices drifting into the tunnels from nightclubs nearby but this was found to be incorrect and no other logical explantion could be found. The recordings were broadcast as part of the finished program Joe Swash Believes in Ghosts on BBC Three in January 2010.



Links

Here's a link Mary King's Close subterranean tunnels & chambers

[URL="http://www.davidicke.com/forum/showthread.php?p=1058727657#post1058727657"]http://www.davidicke.com/forum/showthread.php?p=1058727657#post1058727657[/URL]



Mary King's Close, Subterranean Tunnels & Chambers

                          
 

                                    


Mary King's Close is the best known close on the Royal Mile thanks to its 300 years old legends and ghost stories but, until recently it has also been the least visited. In the past few years, the close not generally open to the public has been open as a tourist attraction and is now called 'The Real Mary King's Close'.

Mary King's Close is a network of subterranean tunnels and chambers running beneath the Old Town area of Edinburgh, Scotland. After being used as closes and later being closed to the public for many years, the complex has become shrouded in myths and urban legends. Tales of ghosts and murders, and myths of plague victims being walled up and left to die abandoned. However, new research and archaeological evidence has revealed that the close actually consists of a number of closes which were originally narrow streets with tenement houses on either side, stretching up to seven stories high. Mary King's Close is now a commercial tourist attraction.



The Plague


                                    
                                        Dr George Rae treats an unfortunate plague victim


During Christmas 1644 the plague, probably brought by ship from Europe via the port of Leith, and spread by fleas carried on black rats, erupted across the land. It took hold first in Edinburgh, then spread west and north, and over the following 18 months killed a substantial part of the Scottish population.

Despite the myth, victims were not walled up in the closes and left to starve.[citation needed] In fact, there had been a long tradition of organized quarantine in the town. Over many previous outbreaks, those infected with the plague enclosed themselves in their house and indicated their plight by displaying a small white flag from the window. In response, bread, ale, coal and even wine were delivered to them daily, and a plague doctor would visit to drain bubos - the pus-filled lymph nodes, which threatened to rupture and kill the patient through septicemia. Some people were quarantined in wooden huts or ‘ludges’, outside the town at Sciennes, Boroughmuir, or in the King’s Park, for anything from two to six weeks or until death, whichever came the soonest.

With the limited and often downright dangerous medical treatments of the time, doctors could do very little to help. Like others, they would have worn herb-filled, beak-like, masks to try to protect themselves; but many died. John Paulitious, Edinburgh’s first official plague doctor, was one such victim. However, the risks were not without compensation. Paulitious' salary had risen from £40, first to £80, and then to an incredible £100 Scots a month by the time his successor, Dr George Rae, replaced him on 13 June 1645.

Dr Rae dressed from head to toe in a thick leather mask, cloak and gloves when visiting plague victims. At the time, it was believed the plague was spread by miasma - what was thought to be 'bad air' - and the doctor's cloak was designed to prevent miasma from reaching his skin. It has since been shown that the plague was actually spread by flea bites, and that the leather prevented fleas from the patients biting the doctor.

By November, Dr Rae had negotiated a further £10 Scots per month but by the autumn of 1646 the worst was over in Edinburgh, though it took longer elsewhere, and the Council had second thoughts about paying him. Ten years after the last major outbreak of the "foul pestilence" in Scotland, George Rae was still fighting to be paid. He eventually won and claimed an unprecedented yearly pension of £1,200 Scots.



The story of Mary King's Close



The Close was a street back in the 17th century and much of it is still intact. It runs from the High Street northwards beneath the City Chambers Edinburgh's Local Government. Before Cockburn Street was built Mary Kings Close used to run all the way to Market Street.

The Close is said to be named after the daughter of wealthy advocate and owner of the property, Alexander King, although little evidence has been found in that respect. A woman by the name of Mary King did live there in mid 17th century.



'The Real Mary King's Close' presents tourists with a historically accurate interpretation of life in these narrow alleyways from 16th up to the 19th century.

In mid 17th century the Old Town had been infested with black rats from ships at Leith Docks and disease spread out. The local council attempted to contain the plague and the decision was made to block up the entrances to Mary King's Close. Some plague victims are thought to have been locked in.

In the following years the close had been reopened due to overcrowding in the Old Town and sightings of ghosts, mainly headless animals and disembodied men, have been reported.

       
This image gives a better idea of the set out of the buildings and shows part of the rooms and chambers underneath the City Chambers where the would inhabitants lived,

60 feet down into the forgotten streets of Edinburgh’s past. It's fascinating to see how far down below street level the passages led,


The old closes of “The Real Mary King’s Close” lie beneath what is now Warriston Close and the Town Hall. The ancient closes used to run down at right angles from the High Street right down to the Noor Loch – which was later drained and built on, forming Prince’s Street gardens and Waverley Station. These closes were fortified with vaults before being built over. The rooms we went through dated back to the 1400’s.

    
                                      You can see a few orbs in the picture above


The myth that that the Burgh council had bricked up the inhabitants in the close and left them to die of plague before "sending in butchers to dismember the bodies" was untrue. The truth was a law preventing contact between healthy and unhealthy – 12 feet the distance people should keep from one another. They also kept the doors of unwell households shut for six weeks once the plague had been found. Doctor George Rae would be the only person allowed into a plague household – and if the plague victims didn’t have a hard enough time, the guy trying to help them was dressed in head to foot black leather and wore a mask with a beak full of herbs. This was to protect him against “miasma” – or bad air – but helpfully it also stopped the plague carrying fleas from getting to him. They did send in the cleaners after most people had dies as well. They would light fires in the middle of the rooms to smoke out the bad air.

                                    
look close there's another few orbs in this pic one on the ground, and one just above the hand rail left hand side

There were two types of plague; Pneumonic and bubonic. Pneumonic you either survived or died, bubonic could be treated by cutting out the pus-filled boils and cauterizing the wounds – without any anesthetic.



There are plenty of ghost stories, the most frequent sighting in recent years has been that of a young girl, no more than 5 or 6 years old called 'Annie' by those that have seen her. with one room containing a shrine to “Annie” – supposedly a poltergeist spoken to by a medium in the early 1990’s. The plague victim was allegedly locked in a room by her parents and left to die by her parents’ before coming back to haunt the former house to look for her doll. People have left loads of toys to placate the spirit giving the room a really tacky and slightly unnerving edge. people leave dolls and soft animals.

you could see all the way up the close and peer in a workshop which was utilized as recently as the 1930’s. it was amazing to see all the rooms and staircases forming a warren below the city.



                                    
                                                             Chesney's house






                                    
                                                              The Thunder Box


Links

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http://www.bebo.com/Profile.jsp?MemberId=6329418650

http://en.wikipedia.org/wiki/Mary_King's_Close

http://www.stuckonscotland.co.uk/edi...ngs-close.html


Monday, 12 December 2011

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                                                                                                      Jim Morrison


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The Ark of the Covenant Part 2


                                         

How the Ark of the Covenant corrupted our timeline, necessitating divine intervention.


Like the Grail, the Ark of the Covenant was an object endowed with supernatural powers. The Ark is described in the Bible as a large wooden chest on carrying poles, gilded inside and out with gold, and having a solid gold lid surmounted by two golden winged figures1.

The Ark remains the most sacred artifact of the Jews despite their losing it long ago. Without it, their ancestors would not have overcome certain obstacles, vanquished their enemies, received guidance from it, or prospered into the eventual nation of Israel. Therefore the entire Judeo-Christian paradigm owes its existence to the Ark of the Covenant.

Is the Bible’s descriptions of the Ark accurate? Well, the Old Testament is a fictional narrative sewn together from sometimes factual patches. These patches are eyewitness accounts passed down through the oral traditions and documents of the various tribes that existed in Canaan when the Old Testament and its subsequent revisions were being drafted, around the 8th century B.C. By creating a single continuous narrative from these, the diverse people in central Canaan could be united into what subsequently became the nation of Israel2.

The ancient history of Israel and the story of Exodus as told in the Bible are composited from separate historical episodes. Isolated parts are true within their original contexts, just that they may be out of order, superimposed, embellished, or borrowed from other cultures.

I haven’t pieced together the true and complete history of Israel and the Ark, but my research over the last year has given me some basic bearing. Since it’s too lengthy and tangential to cover here in detail, I will just list some examples of what historical persons and events may have been reworked centuries later into the Old Testament narrative:

* The story of Moses being drawn from a river comes from an Akkadian legend relating the genesis of their king, Sargon the Great3, or else both draw from an even older myth. The old Akkadians allegedly existed 2700 – 2200 B.C4. Another theory says they were the Hyksos Dynasty, which existed 1628 – 1550 B.C5.

* The two pharaohs of the Exodus were Pepi II and Merenre II circa 2200 B.C. They were the last pharaohs of the Old Kingdom of Egypt6. This is almost a thousand years before conventional Biblical chronology places the Exodus.

* The cataclysm that ended the Old Kingdom and killed Merenre II in the “place of the whirlpool” occurred around 2190 B.C. and was an early contributor to the stories of Passover, the Ten Plagues, and the Parting of the Sea of Reeds7.

* In 1628 B.C., the Mediterranean super-volcano of Thera exploded, forcing migrations out of Egypt and inspiring further additions to the stories of Exodus, particularly the Israelites seeing a pillar of cloud and fire before and later behind their wandering procession8.

* The Semitic Hyksos were purged from Egypt in 1550 B.C. after being paid off in large sums of gold and silver to leave9. From this derives the story of the Israelites being given gold, silver, clothing, and jewels by the Egyptians in preparation for their exodus. The walls of Jericho fell around 1550 B.C. according to archeological dating, suggesting the Ark of the Covenant was en route to Canaan by that point10.

* The historical King Solomon lived in north-central Canaan in the decades following the Hyksos expulsion from Egypt. According to classical historian Flavius Josephus, the Hyksos founded Jerusalem11.

* The historical Temple of Solomon was built around 1500 B.C. along with the megalithic temple complex at Baalbek located in modern day Lebanon12. Both were constructed by the Phoenicians using advanced technology; they were familiar with the Ark of the Covenant13.

* Queen Hatshepsut (1508–1458 BC) was contemporary with the historical King Solomon and may have held personal relations with him and/or the Phoenicians and/or the Mitanni. Some believe she was Queen Sheba of the Bible14. (See the ViewZone article Yemen As It is… for further evidence that Sheba, Solomon, and the Ark existed around 1500 B.C. and not five centuries later. Clue: the script is proto-Caananite / proto-Phoenician. This is a nail in the coffin for conventional Biblical chronology).

* After Hatsepshut died, her nephew and successor Thuthmose III waged military campaigns into northern Canaan and sacked Solomon’s Temple just four decades after it was built15. He then defaced Hatshepsut’s statues and attempted to erase her from history. Thuthmose III was the historical basis for the Biblical pharaoh Shishak.

* Pharaoh Akhenaten, who reigned 1353 BC – 1336, imposed a tyrannical form of monotheism upon Egypt consisting of worship of a single solar deity and suppression of all others. His reign lasted almost two decades, after which the Egyptian traditionalists who were loyal to the old ways fought to purge Egypt of this radical monotheism and its followers, who may have been related to the Hyksos. Among them was a high priest of Akhenaten, named Osarseph according to Manetho, who led the exiled Semitic monotheists in an uprising against the Egyptian traditionalists. In the end he was forced to flee Egypt with his followers, and he subsequently became the historical model for the Biblical Moses16. In Canaan they became the final wave of Egyptian exiles incorporated into the story of the Israelites.


I could go on, but right now it’s more more important to focus on the purported technical capabilities of the Ark, in order to show how similar it is to the Holy Grail and what all this says about the nature of high demiurgic technology. What follows is a list of key aspects of the Ark and my interpretations of them.



Ark: Etheric and Electric Fields

The Ark is infamous for its deadly energy discharges. Those unqualified to touch, approach, or even look at the Ark would be struck dead:

* Uzzah was struck dead by a burning flash of energy from the Ark as he reached out his hand to steady it. The Ark was being transported on an ox cart and one of the oxen had stumbled17.

* Seventy people from the town of Beth Shemesh were killed when they opened the Ark and looked inside. The Ark was temporarily stationed there on its return from Philistine custody18.

* Aaron’s sons died when, against permission, they attempted to offer incense to the Ark and a fiery energy sprang forth and consumed them19.

* Those of the Kohachite branch of the Levites, who were assigned to carry the Ark and associated items once they were securely wrapped for transport, were instructed never to touch or look at these items directly, or they would die immediately20.


In attempting to explain this, others have noted that the gilded wooden box resembles a capacitor, something that stores electric charge. In this case the capacitor is two electrodes of gold sandwiching a wood insulator. Since the Ark could accumulate and store high voltage electricity, some conclude the Ark was nothing more than a big capacitor.

A large enough capacitor can indeed electrocute a person. But according to my calculations, the capacitance of the Ark is only around 3-5 nF at most, giving barely enough energy to kill one person under ideal conditions if charged to 300,000 Volts21. That kind of voltage is very difficult to reach, let alone maintain without flashover between inner and outer gold layers. To throw a spark long enough to hit someone just a few yards away, millions of Volts would be needed. There is no way a wood-based capacitor by itself can accumulate enough power to kill a crowd, let alone surround itself with a glowing energy field and perform the more miraculous feats ascribed to it.

The Ark alone cannot do what the Bible says it can, at least not according to conventional science. The top mistake fringe researchers make is limiting their interpretation of the Ark’s function to the perspective of conventional physics and engineering. Thus they propose it was merely a spark gap radio, electrical capacitor, seismic energy transducer, algae food grower, or some other mundane device22. While each of these may explain a few alleged Ark traits, they cannot account for them all.

High demiurgic technology, however, explains everything. Just as in Alchemy, conventional scientific principles may enter into the equation but are not the only ones involved. While the Ark may be a capacitor, that is only a small aspect of its total function. One has to go beyond regular physics to understand it.

For instance, it’s worth noting that, topologically speaking, the Ark is a spherical capacitor, where one electrode is nested inside the other. According to my fringe physics research, what makes spherical capacitors special is that they can receive, transmit, absorb, and emit gravity waves. It has to do with changes in charge density coupling to changes in the gravitational potential23. If the Ark was a spark gap radio, it would have had to intercept gravity waves and convert them to electrical arcing between the two winged figures. But I doubt that was its primary function.

Further, anyone familiar with orgonomy will realize that the Ark is constructed like an orgone accumulator, which is a box whose walls are made of alternating layers of organic and inorganic substances24. It’s said to attract and store orgone energy, which appears to be a grade of etheric energy closest to the material plane. Wilhelm Reich also observed a connection between negative ions and orgone energy, although the two are distinct. Their relation may be like the one between water drops and water vapor; one is a condensation or evaporation of the other. The electrical effects of the Ark may therefore be side-effects of etheric processes. Still, no orgone accumulator has ever built up enough energy to fry someone.

Since it was a chest with a lid, the Ark presumably carried something, and that object may have been responsible for its purported powers. The Bible says that the first item it carried was the stone tablet(s), also known as the Covenant or Testimony, that Moses brought out from Mount Sinai25. This fictional story has elements of truth, namely that a stone-like object was retrieved and placed in the Ark, after which it brimmed with energy. Therefore the Ark served more as a container, shield, and/or transceiver for the mysterious object placed inside it. It was also called Ark of the Testimony, as it contained something pertaining to the covenant between Hebrews and their Lord: a stone artifact called the Testimony. From this point on, when I refer to the Ark, I mean the Ark with power source installed.

That the Ark radiated energy is further supported by the detail that, when it was being transported, it was thoroughly wrapped in shielding material and its carriers were forbidden from touching or looking directly at it26. And when encamped, it was kept inside a structure known as the Tabernacle. The Tabernacle was a portable tent system designed to safely contain and surround the Ark. The first tent around the Ark was made of flax linen, the second of woven goat hair, third and fourth of dyed animal skins260. This great redundancy in layer upon layer appears to be additional shielding. And shielding is only necessary if the Ark were putting out an intense energy field.

The choice of construction materials is significant. Flax fiber has a spiral crystalline structure27. Hair and wool strands are nonlinear dielectrics because the medulla, sheath, and cortex of the strands have different dielectric constants, which makes them excellent attenuators or reflectors of gravitational / scalar / longitudinal waves28. And Baron von Reichenbach found through extensive experimentation that wool had the ability to attenuate etheric energy, the same way metal shielding attenuates electromagnetic waves29.

Copper, silver, and gold were the only metals used in constructing the Ark and the Tabernacle30. They are all non-magnetic, have only one valence electron, and share Group 11 on the periodic table. Iron was strictly forbidden. Even later, in the construction of Solomon’s Temple, supposedly well into the Iron Age, no iron nails were used. Of course in truth Solomon’s Temple being built around 1520 B.C. means it was still in the Bronze Age, but there’s another reason iron wasn’t used back then. Folklore says that fairies and other supernatural beings have an aversion to iron32. Physically it is merely magnetic and has two valence electrons, but etherically it may have undesirable effects upon etheric entities and technologies. Therefore we can infer that ferromagnetic materials interfered with the Ark’s operation, save iron-containing blood that played an important role in its function.

From the above, we can already see that the Ark’s operation included both etheric and electric elements. Again, the gilded wooden chest was not the source of the Ark’s power, rather the object it contained was what radiated an intense energy field of an etheric, scalar, and/or electrogravitational nature. This energy field could precipitate electrical effects as well, but these were side effects rather than the primary ones. Proof of this is in the construction of the Ark, Tabernacle, and Solomon’s Temple, which incorporate principles of etheric/scalar manipulation and shielding. They would be designed differently if mere electrical effects were intended.

Although the Ark has electrical properties, that is insufficient to say its function was merely electrical. This parallels reports of human encounters with alien crafts, whereby the ship exhibits strong electrical and electromagnetic interference effects, but these alone are not enough to explain how the ships can levitate because their primary propulsion fields are non-electromagnetic33. We are dealing with demiurgic technology here, not human technology.



Ark: Vortical Plasmic Intelligence

The Ark’s lid was called the “Mercy Seat” because a luminous cloud perceived as the Lord would station itself upon it, between and above the winged gold figures34. This luminous cloud was known as the “Glory of the Lord” or “Shekhina,” the latter being a Hebrew term meaning literally the dwelling, settling, or presence of the Lord35.

It would seem at first that the Shekhina is just an electrical corona emanating from the golden winged figures, were it not for the detail that the Shekhina was mobile and independent of the Ark. For instance, the Shekhina accompanied the Biblical Hebrews out of Egypt even before the Ark was built. It led them as a pillar of cloud by day and fire by night as they crossed the desert36. It settled itself on Mount Sinai37. It appeared in the desert when food was about to manifest from the heavens38. Even after the Ark was built, the Shekhina could leave it and freely travel about of its own volition39.

The Shekhina is described as looking like a “pillar of cloud” during daylight, suggesting condensation of water vapor into a visible tornado-like structure40. This makes sense because, according to orgonomy, sufficiently dense orgone energy concentrations cause water vapor condensation41. At night it glowed like a “pillar of fire” possibly indicating ionization of air, which is identically plasma. Therefore a very dense etheric energy field accounts for both the condensation of water vapor into visible mist and the glowing field of ionized gas.

The Shekhina could also diffuse into, or was simply accompanied by, a general glowing aura around the Ark. When kept in an enclosed shielded place like the inner Tabernacle tent or inner chamber of Solomon’s Temple, the Shekhina would fill the space like a luminous fog42.

Solomon’s Temple was built to house the Ark permanently. Like the Tabernacle, the Ark rested within its central chamber known as the Holy of Holies surrounded by numerous shielding walls. The energy field diffused and filled the space surrounding the Ark, creating a glowing atmosphere testifying to the power residing in Solomon’s Temple43. The first Temple was eventually destroyed and the Ark went missing, so that the second Temple of Solomon completed in 516 BC lacked both the Ark and its Shekhina. While the people rejoiced that their temple was back, the priests lamented because they knew it was missing the most critical component44.

Note that all these characteristics don’t support the notion that the pillar of fire and cloud was an alien spaceship. It’s something else. That the Shekhina could localize upon the Mercy Seat and give messages or travel about freely suggests that it possessed intelligence and volition. Enough so that the Hebrews were convinced it really was their Lord dwelling in their midst.



Ark: Water Influencer

When the Hebrews fled Egypt under pursuit by the Egyptian army, the “Lord” went ahead of them and parted the Sea of Reeds so that they could cross. Water piled up into vertical walls and allowed passage over dry ground as though a solid force field had materialized left, right, and underneath them. The waters literally congealed beneath their feet and kept them dry, which contradicts mundane explanations of wind patterns, gravitational tugs from passing planets, or tidal effects being the cause, because the latter would still leave a wet muddy mess to slough through. Dry ground and congealment indicates either a solidification of water or a firm force field upon which one could walk45.

Later the Ark was used to part the Jordan River. Levite priests carried the Ark into the river, causing water to pile up on both sides some distance away and allowing the Israelites to once again cross over what they perceived as dry ground. When the priests carried the Ark to the other side, the river resumed course46. Again, mere weather or seismic explanations don’t account for this. Note also that while the water was pushed away, the people crossing were not; therefore it wasn’t just an outwardly blowing antigravitational field but something acting selectively. Either the powered Ark created a shell-like force field or else it had direct control over water itself.

In another curious detail, cast metal basins were installed both in the Tabernacle and in Solomon’s Temple. In the Tabernacle it was a smaller bronze basin filled with water, said to be for washing. It was kept between the inner tent and a sacrificial altar in the courtyard where the Shekhina could pass over it47. In Solomon’s Temple the basin was circular, fifteen feet in diameter and almost eight feet high48. Presumably it was also filled with water, but something that large and deep excludes a basin solely for washing, especially since smaller ones for that purpose were included elsewhere in the Temple.

Therefore one could speculate that the Ark, its power source, or the Shekhina had a proclivity for water and the basins served a functional purpose toward that end. Wilhelm Reich wrote about the great affinity that orgone and water have for each other. A circular basin like that at Solomon’s Temple is the optimal shape for a whirlpool, and water scientist Viktor Schauberger indicated that whirlpools infuse water with etheric lifeforce energy49.

There is a strong water-vortex motif here. The vortex is an archetype that repeatedly accompanies the Grail and the Ark, and I will say more on this later. Recall the Siege Perilous, the seat upon which only the worthy champions of the Grail could sit lest they be swallowed by a vortex. Recall the Shekhina manifesting as a tornado-like pillar of cloud. And recall that Merenre II, Egyptian pharaoh of the first Exodus, was said to have perished in the “place of the whirlpool.”



Ark: Soul Frequency Selectivity

The Ark was selective with what effects it had upon whom. Generally speaking, those with high spiritual purity, meaning etheric and astral integrity, who obeyed protocol were left unharmed. This included the Levite Priests in charge of operating the Ark, first in the Tabernacle and later in Solomon’s Temple. In the Temple, only ones with the highest spiritual training had access to the inner chamber where the Ark was located.

Those who disobeyed protocol or were spiritually tarnished were struck dead or afflicted with sores, boils, and other symptoms of biological disintegration mimicking leprosy. The leper factor appears several times. When Moses encountered the Burning Bush in the desert, which was an early appearance of the Shekhina, his hand briefly turned leprous50. When prophetess Miriam was summoned to the Tabernacle for making a transgression, she became leprous after the “pillar of cloud” descended upon her51. In Egypt, the Hebrew immigrants and slaves were known as the “polluted ones” because of their rampant leprosy problems, which Frank Joseph and Laura Beadouin hypothesize was due to their local proximity to the Ark power source when it was still stationed in Lower Egypt.

When the Philistines captured the Ark, wherever they moved it among their territories, there broke out death, boils and in one case an outbreak of mice52. This illustrates what happens when the Ark is brought in the midst of those who have not been sufficiently trained and purified. It seems to amplify and bring into outward manifestation the quality of their psychic energy, which in the case of decadence could manifest boils and mice for instance. This, in contrast to the Ark’s enriching and fructifying influence when stationed in Biblical Jerusalem.

Only the Levite priests could openly handle the Ark without getting harmed. Moses and his brother Aaron were said to be Levites. Not only did they have to wear special clothing and follow certain safety protocol, they also had to be of sufficient spiritual purity. Compare this to the Grail, who would only let itself be cared for by a woman of perfect chastity and purity.

It wasn’t enough to simply “keep one hand in the pocket while wearing insulating shoes” because the Ark wasn’t just a high voltage device, but a Demiurgic one that translated astral/spiritual qualities into physical manifestation.



Ark: Manifesting Food

Further indication of the Ark’s demiurgic power is given in Exodus 16, where the Israelites run out of food while crossing the desert to Canaan and the Shekhina manifests food for them. It covered their camp with quail to provide meat in the evening, and coated the bare ground with dew that turned into edible granules called manna. The latter may have had Alchemical qualities.

Manna is referred to as the “grain of heaven”, “the bread of the mighty” in Psalms; it was ground up and made into cakes that tasted like “wafers made with honey” or “as the taste of fresh oil”53. The substance melted in the sun. This manna was pure in the sense of not producing any waste products in a person54. It ceased to fall once the Israelites arrived in an area and ate its grain. This shows it was not a natural phenomenon, but that there was intelligence behind it. In Exodus, the appearance of manna was cyclical, with twice the quantity raining down on the sixth day of the week and none on Sabbath, which was a holy day of rest and worship. If true, this suggests the Ark was being operated by someone who obeyed the weekly Sabbath system, thereby implying that one or a few operators manifested food for the entire camp. Contrast this with the story told in Parzival, where the Grail Stone manifested food and drink according to the visualized desires of each knight who held his empty plate and cup before it.

If this account is taken literally, then the Shekhina had the power to manifest or attract particular animals, like quail in this case. When the Philistines captured the Ark, a plague of mice broke out in one city where it was stationed, thus another case of specific animals being manifested or attracted. And according to Jewish oral tradition, King Solomon had the power to draw specific wild animals to his Temple because he knew their “names”55. A name in this context is a type of word unique to a thing, basically its spiritual archetype, astral signature, or Logoic template.

The quail and manna manifestations are reminiscent of modern Fortean phenomena in which anomalous objects and animals rain down from the sky. It’s always one type of object (like river stones) or one animal species (like fish or frogs)56. This specificity precludes their cause being water spouts picking up aquatic life and dumping it onto land. Some of what rains down aren’t even known species. Thus they appear to have been projected into this dimension. Perhaps these are natural dimensional glitches following from the same principles that the Ark employed intentionally.



Ark: Loosh Transducer


In Robert Monroe’s book Far Journeys, “loosh” is defined as metaphysical energy, encompasses everything from the crudest etheric energy produced by plants to the most refined astral energy produced via human love and suffering57. Loosh is equivalent to demiurgic energy.

It appears the Ark of the Covenant was powered, triggered, or catalyzed by externally supplied loosh. One example being the profuse level of animal sacrifices that the Israelites performed before the Ark in order to please their Lord, “sacrificing so many sheep and cattle that they could not be recorded or counted”58. Another example being King David dancing half-naked before the Ark after its homecoming from Philistine capture.

David dancing before the Ark has stumped many. But if you know anything about Native American rain dances, or the technical dances of the Sufis, or Rudolf Steiner’s Eurythmy, you’ll know that dance is a motional ritual that is highly active on an occult level and generates specific patterns of energies. The more intense the dance, the greater the energy output. “David, wearing a linen ephod, danced before the Lord with all his might”59.

Animal sacrifices are convenient loosh sources. Slaughter liberates astral energies via the emotional experience of dying, while fat and blood provide rich sources of etheric energy. As naturopaths and occultists know, fat and oil are good mediums for storing and transmitting subtle energies, hence the ancient practice of anointing with blessed oil.

As for blood, that it carries lifeforce is obvious. Even the Old Testament says as much: “For the life of a creature is in the blood” and “But be sure you do not eat the blood, because the blood is the life, and you must not eat the life with the meat”61. So a distinction was made between blood and meat; the latter could be eaten, while the blood contained the lifeforce and had other uses. The Levite priests sprinkled the blood against the Tabernacle altar on all sides and burned the fatty carcass upon it, which would entice the Shekhina to exit the tent and consume the remains62. “It is a burnt offering, an offering made by fire, an aroma pleasing to the Lord”63. This practice of sacrificing bulls, ram, and sheep was repeated regularly.

When the Ark was installed in the first Temple of Solomon, animal sacrifices were prohibited everywhere else in Jerusalem other than the Temple64. This would make sense if sacrifices absolutely had to be done in the Ark’s presence in order to be utilized, further supporting the idea that the Ark was affected or even powered by the loosh emitted by a dying animal and its blood. Manna not falling on the Sabbath may be connected to animal sacrifice being forbidden on that day.

The Jewish practice of ritual slaughter is known as Shekhita and its techniques are used to produce kosher meat. The practice involves precise cutting of the animal’s throat to ensure a calm but conscious death. Afterwards, the animal is fully drained of its blood. As a side note, it’s worth noting that cows and bulls are by definition the main targets of cattle mutilations. They are killed while fully conscious and later found completely drained of blood. The aliens who do this leave behind the carcass and only take certain organs, as well as the 5-10 gallons of blood per cow, bull, or horse65.

The Egyptian word for bull is “Ka” which is identically the Egyptian name for lifeforce energy66. This suggests lifeforce was the primary concept associated with bulls. The symbol of “Ka” is two upright arms raised in reverence, possibly stemming from a ritual pose conducive to the reception and transmission of etheric energy. The symbol is also reminiscent of bull horns, the crescent moon, and the two winged figures atop the Mercy Seat. Ka is said to determine one’s destiny, habits, and vitality. It’s clear that Ka translates to etheric body. The other subtle parts of a being, what the Egyptians called “Ba” translates to astral body. The Ba, depicted as a flying stork with a human head, is said to wander around during the night but had to return to the body by morning. Further, the Ba was said to indulge in pleasures, which fits the emotional and passionate nature of the astral body. The final component, “akh” was reached only after death when the deceased made it to the celestial realms, and this translates in occultism to “spirit.”

Hence the Egyptians sacrificed bulls, as early as the Second Dynasty of the Old Kingdom if not earlier. These so-called “Apis Bulls” were held as divine, treated with reverence, mourned at their death, and buried with honor. The bulls would be ritualistically slaughtered at the age of 28, which ties symbolically into the moon cycle, and the meat eaten by the priests and pharaoh67.

If Apis bulls were once slaughtered for loosh harvesting, eventually that purpose was forgotten but the ritual continued anyway. During later dynasties, mummified bulls were buried in the stone coffers of the underground Serapeum complex. As Christopher Dunn writes, these coffers were exquisitely carved to perfection using advanced technology equalling or surpassing anything we have today and originating from a much earlier time68. They were likely built by the same advanced pre-Egyptian civilization that constructed the Great Pyramid. Either those ancients who created the coffers also sacrificed bulls, or else the coffers were created for more utilitarian reasons and only later were they repurposed by the Egyptians to house mummified bulls.

The Apis Bull was considered a manifestation of the Egyptian god Ptah, a deity who called creation into existence, and who was considered a god of craftsmen. He is said to have spoken creation into existence. Thus Ptah is equivalent to the Logos or Demiurge. “Ptah” means “opener of the mouth”, and opening the mouth is the first step to saying a word or name69.

As you can see, much connects here: Logos, Demiurge, animal sacrifice, etheric energy, and Ark of the Covenant. Bulls supplied etheric energy through their blood to power Demiurgic processes. That is the function of the etheric body anyway, to demiurgically ensure the continuation of form in a biological system prone to entropic decay. Just that this same energy can be repurposed toward non-biological applications through ritual slaughter.

According to Christian theology, the practice of animal sacrifice ended with the coming of Jesus Christ because his dying on the cross fully atoned for our Original Sin; he was the ultimate sacrifice to end all sacrifices70. I don’t believe this exoteric interpretation for a second, but as usual there is truth lingering behind the symbolism.

Notice that, whereas the ancients resorted to animal sacrifice and other crude means to activate the Ark, the Grail knights merely maintained a state of spiritual transcendence to activate the Grail stone by thought alone. The Grail knights were burning with a Christ energy, not in a religious sense, but in the sense of their being vessels for the positive personification of the divine Logos. In other words, they were connected to the highest, purest, most vibrationally elevated loosh source in existence — the face of God. Further proof is seen in reality creation: you manifest quickest when you are attuned with your higher Self, heart, and Spirit. There is no greater demiurgic creational power than this, but there are certainly lesser ones.

The means to achieve such a state of connectedness has been taught by the greatest sages of the ages, one of whom was the historical character forming the nucleus of the Jesus Christ mythos, whose surviving teachings may be found in the Gospel of Thomas and the Q Source72. The Gospel of Thomas was a 2nd century reconstruction of the original teachings. Note where the New Testament differs from the Gospel of Thomas and the Q Source, and there you will see what the Church added to hijack and corrupt a genuine teaching. The Biblical Jesus versus the historical Jesus is like Sunny Delight versus Fresh Orange Juice. The fundamentalists believe Sunny-D grows on trees, the atheist skeptics refuse to believe oranges exist. The truth is between and beyond both.

Christian theology is correct that Christ ended the need for animal sacrifice, though not for the claimed reasons. Rather, his core teachings provide a superior alternative to harvesting energy from the environment to fund demiurgic creation. Theology is also right that this relates to Original Sin and mankind’s Fall from Paradise, though it’s because the spiritual transcendence embodied in the Grail knights is identically a non-Fallen state of consciousness, which Christ termed the Kingdom of Heaven.

Those who cannot tap into this higher energy/intelligence must resort to lesser methods and sources to trigger their desired demiurgic effects. These include ritual, dance, sexual energy, animal sacrifice, and human sacrifice. Even today, black magic and voodoo still make use of animal sacrifice. Synchromystics and conspiracy researchers know how the global occult elite perform mass rituals through current events, media, and entertainment, and how they engage in ritual killings through staged accidents, manipulated wars, and induced disasters. There have been tribes and cults throughout history, from Meso-America to the Mid-East to South India, who performed human and animal sacrifices in exchange for power, abundance, security, and prosperity. In all these cases, loosh energy bought desired physical manifestation.

When loosh cannot be tapped from an infinite source, cruder grades must be harvested from finite sources; the Israelite and Egyptian use of animal sacrifice illustrates this.



Ark: Sound and Pyramid Connection

Sound consistently accompanies the Ark’s operation and effects.


One example is the fall of Jericho, where the Israelites were told how to breach the city walls: “March around the city once with all the armed men. Do this for six days. Have seven priests carry trumpets of rams’ horns in front of the Ark. On the seventh day, march around the city seven times, with the priests blowing the trumpets. When you hear them sound a long blast on the trumpets, have all the people give a loud shout; then the wall of the city will collapse and the people will go up, every man straight in.”73.

Another example is the sound associated with the Shekhina’s activities on Mount Sinai: “Mount Sinai was covered with smoke, because the Lord descended on it in fire. The smoke billowed up from it like smoke from a furnace, the whole mountain trembled violently, and the sound of the trumpet grew louder and louder”74.

There are other examples of shouting, music, and trumpet blasts being present during Ark and Shekhina activities. It seems that sound, like loosh, played an important role. Frequency and amplitude are the main variables defining a sound. That volume is emphasized in the above accounts suggests that the Ark translated sonic energy into something else in proportion to its intensity, and vice versa.

In Tempest and Exodus, Ralph Ellis makes a convincing case that Mount Sinai of the Bible was actually the Great Pyramid. For instance, Mount Sinai is traditionally described as the tallest of three mountains, each of which contained deep “caves.” Moses was commanded to go into Mount Sinai. It was named for the sharpness of its peak and infamous for the steepness of its sides, and an alternate name places its location in the desert. The base of Mount Sinai was encircled by armed guards, which is unfeasible for an actual mountain, but not the Great Pyramid. These are just a few examples. If true, it would be one among many indicators that the Ark had something to do with the Great Pyramid. When Moses emerged from Mount Sinai, he descended with the stone Testimony, which he subsequently placed into the Ark. Hence the Ark’s power source was retrieved from within the Great Pyramid.

In another connection, the hieroglyph for “Apis Bull” is two gabled roofs over a box, exactly resembling the entrance to the Great Pyramid75. With the bull already linked to etheric energy via its name “Ka” also being that of the etheric body, linked to the Ark of the Covenant via animal sacrifice, and linked to the Demiurge via the bull being associated with Ptah, it’s fitting that a pyramid connection exists here as well.




The Great Pyramid today is a gutted machine with all its active components missing. The modern Pyramid versus its original form is like a bullhorn versus a megaphone; one is just a passive sound shaping funnel, the other an active sound amplifier with powered electronics. We know from experiments that even a cardboard pyramid produces strange negentropic effects, meaning the shape itself influences the ambient etheric field, but such passive structures are weak in comparison to the Great Pyramid in its original working state76. The Great Pyramid is currently a passive remnant of its original self and all its associated exotic phenomena are nothing compared to what it once could do.

The technical operation of the Great Pyramid has been well investigated by Christopher Dunn, author of The Giza Power Plant. I agree with his data, but not necessarily his conclusion that it was merely an electric power plant. I also disagree with Frank Joseph and Laura Beaudoin that it was a piezoelectric attenuator of seismic energy designed to protect the region against earthquakes. Earthquake activity certainly accompanied the Ark, but perhaps more as an effect than a cause of its function.

According to Dunn, the Pyramid’s function depended on several critical aspects: the Queen’s Chamber into which chemicals were dumped to produce hydrogen gas, the Grand Gallery serving as a sound production and amplification chamber via its hypothesized network of acoustic resonators, the antechamber with its movable vertical stone slabs that could fine tune the sound coming from the Grand Gallery, and lastly the King’s Chamber where the sonic energy was focused to vibrate the granite stones in order to piezoelectrically produce electromagnetic waves that energized the hydrogen gas filling these chambers77.





If you look carefully at the Grand Gallery and the antechamber according to Dunn’s description, you will see that they respectively mimic the human larynx and tongue/teeth/lips. If the Grand Gallery produced sound, it might have been through a collection of installed tuning forks and the Helmholtz resonators that converted their vibrations into a loud and focused beam aimed toward the King’s Chamber78. This mass of sound enters the antechamber and is modulated by the series of adjustable granite gates. In other words, the Great Pyramid functioned as a vowel resonator79. Thus a vowel sound would have been pumped with great intensity into the King’s Chamber.

In the King’s Chamber, there is a granite chest whose dimensions are similar but not identical to those of the Ark of the Covenant. Accordingly, it’s been proposed that the Ark slid into this chest, but considering the narrow entrance to the room it’s more likely that the smaller stone-like power source was placed there, with the Pyramid itself serving as the original Ark/Tabernacle/Temple. Moses bringing back the stone Testimony from inside “Mount Sinai” supports this.

One may imagine the “Ark Stone” being stationed in the King’s Chamber and saturating the connecting spaces with its luminous energy field. Plasma is ionized gas, and if the chambers were filled with pure hydrogen as Dunn proposes, then it would have been a hydrogen plasma. The entire vowel resonator may have been filled with hydrogen plasma through which tunable sound was pumped from the Grand Gallery through the formant-synthesizing antechamber. And when you pump sound waves through a charged plasma, you get longitudinal ion-acoustic waves, which produce longitudinal EM waves, which are identically gravity or time waves80. Etheric energy would have accompanied it as well, which the Pyramid by virtue of its shape alone can bias and amplify.

The five ceilings above the King’s Chamber consist of loose granite crossbeams, polished on the bottom to reflect coherent energy from below, and intentionally uneven on top to disperse incoherent energy from the top, thus functioning like a one-way mirror capable of cohering and directing the energy like a laser. These ceilings might also be mimicking the human sinus passages for additional resonance activity. Vibration of the granite beams would have produced longitudinal EM waves as well via the piezoelectric effect. The gravitational, etheric, temporal energy produced in the King’s Chamber would have been made coherent and unidirectional, aimed either upwards to the sky or downward to the center of the planet, more likely the latter since the center of the planet is always directly below a level structure on the surface. (It’s also possible that the pyramid was not designed to do anything outwardly, but rather focus all its energies inward upon the King’s Chamber to charge, initialize, and/or program the Ark Stone).

If you keep in mind that the Ark responded to sound, that Ptah (who is the Demiurge or Logos) means “opener of the mouth”, and that loud vowel sounds were likely pumped into the King’s Chamber from the larynx/mouth-like structures, you begin to see that the Great Pyramid must have had a truly awesome purpose.


Ark: Physical Terrain Transformer

Jewish oral tradition ascribed several additional powers to the Ark not mentioned in the Old Testament: 1) as it was being carried by the Israelite vanguard, the Ark cleared the path of scorpions and snakes via a burning ray issuing forth from the Mercy Seat, 2) the Levites carrying it would also be carried by it, meaning levitation. 3) the Ark could level hills and mountains in the way81.

The third claim that the Ark could alter geography and terrain seems tenuous, but there are a few potential points of correlation:

First is that the Nile River may have been intelligently engineered, as explained by Goro Adachi in his book The Time Rivers. You would have to read his book to be convinced there is something to it, but in short the features, proportions, alignments, lengths, bends, etc… of the Nile are too synchronous to be mere natural formations. Only problem is that something so large cannot be created through physical digging like with the Panama Canal (4132 miles versus 51 miles). Adachi doesn’t really explain who did it, but they must have possessed the god-like power to directly transform geography.

Second point of correlation is the Glastonbury Zodiac, a circular collection of zodiac images spanning ten miles in diameter, impressed upon the landscape of the Isle of Avalon where legend says the Grail was once kept. The zodiac images are made of streams, dykes, roads, and other landscape features. The center of the zodiac is the famous Glastonbury Tor, a stone tower built on a sacred hill82.

Third is the French town of Rennes-le-Château. Like the Glastonbury Zodiac, the position of landscape features and markers including mountain tops and churches trace out a meaningful pattern, the pentagram in this case. Rennes-le-Château is famous for its association with secret Templar activities and later the priest Saunière who struck it rich after discovering secret documents pertaining to Templar treasure or perhaps a method for making the Philosopher’s Stone83.

These alleged landscape geometries include some features not placeable by human hands. While they bear enough ambiguity to support the skeptical view that people are just reading too much into things, they also display enough order and improbability to look like“graffiti tagging” by some hyper-dimensional intelligence. Seems like everything deeply connected to the Grail, Ark, and Philosopher’s Stone bears the fingerprint of intelligent design or synchronistic orchestration, down to the prophetic codes in the Torah and Hebrew gematria.

Or consider the moon’s association with the sacred Bull, that the Hebrew calendar is based on moon cycles, that Good Friday and other key days associated with the Grail and Ark are timed to the moon… Not surprisingly, the astronomical parameters of the Moon indicate some heavy synchronistic orchestration. Books have been written on its anomalous nature including Who Built the Moon by Butler and Knight and David Icke’s latest work Human Race Get Off Your Knees.

What all of these environmental geometries have in common is that they seem synchronistically rather than mechanically formed. So instead of the Moon being towed in via tractor beams, or the Nile River being dug with antigravity bulldozers, it may have originated through intelligently guided or selected natural evolution via intentional probability biasing. Thus these geometries seem both natural and unnatural at the same time. Natural enough to please the skeptics, unnatural enough to convince the believers. The religious might just call it the handiwork of God, but it’s not that simple. I’ll talk more about this later when I get into the timewar idea, and how high demiurgic technology is capable of reality reconfiguration and timeline selection. For now I just want to mention that the Ark may very well have leveled hills and mountains, and that this isn’t without a supporting context.

Just to speculate, what would happen if the Ark Stone’s terrain-transformational power is amplified and channeled by the Great Pyramid, whose coherent energy beam points down to the center of the planet? In the Biblical story of Mount Sinai, the entire structure was quaking and trembling while a trumpeting sound grew louder and louder. It’s interesting that the Pyramid is aligned almost perfectly with true North, skewed a little today due to crustal shifts since the time of its construction. If it was built after the last pole shift, which occurred around 10,500 B.C., then it was simply positioned in alignment with the new pole. This is the most plausible case. If, however, it was built before the pole shift, then either its builders knew clairvoyantly what the new pole alignment would be, or the Great Pyramid was used to shift the planet’s axis. It’s impossible to say whether it was built before or after the pole shift, so I’ll leave this as food for thought.



Putting it All Together


I began this series by explaining the nature of the Demiurge, the universal intelligence responsible for shaping physical reality according to given archetypes. Its etheric component biases probability at the quantum level while the astral component carries the archetypal signature that directs that biasing. Together, etheric and astral energies may be called “demiurgic energies” because they have the power to intelligently alter matter, energy, space, and time — precisely the function of the Demiurge.

Demiurgic technology makes use of these energies to affect the physical universe. One example is the Philosopher’s Stone, a saline substance impregnated with dense etheric energies and tinged with the astral signature of gold, thereby being capable of transmuting lead or mercury into gold by reconfiguring their atoms at the quantum level in accordance with that signature.

By logically extending the principles of the Demiurge and Philosopher’s Stone, I can also explain the purported characteristics of the Holy Grail and Ark of the Covenant. The latter are higher applications of demiurgic technology.

The central tenet of Alchemy is to imitate Nature, not only the mineral aspect upon which all of modern science is fixated, but also the biological and spiritual aspects. In producing the Philosopher’s Stone, Alchemy is imitating the process of mineral-to-plant evolution. Notice that the Philosopher’s Stone is primarily a combination of physical and etheric bodies, with only the slightest astral component to impart a specific “flavor” to its transmutative power. Unlike ordinary minerals, it possesses lifeforce by virtue of its intrinsic etheric energy. This places it above the rank of chemicals and closer to the vegetable kingdom. Both plants and the Philosopher’s Stone have physical and etheric bodies but not much of an astral body. Just like a plant, the Stone is passive and immobile.

What separates animals from plants is that their physical bodies are more complex, their etheric bodies more intense and developed, and that they have an actively functional astral body. The animal level is where sentience and volition begins, when the first semblance of independence develops. The more complex physical body is what allows a higher order of life to inhabit it. If Alchemy were more refined, it could mimic this process of plant-to-animal evolution and take the Philosopher’s Stone beyond the vegetative level. Then the physical body of the Stone would be more ordered and perhaps crystalline, its etheric body would likewise have to be greatly intensified, and an actively functioning astral body would develop.

What separates humans from animals is that, on average, humans have egos and personalities that allow them to be independent reasoning individuals. As explained in my first article, the ego is a higher order structure that develops in the soul thanks to more sophisticated environmental programming made possible through the body being evolved enough to allow for it. Likewise, if Alchemy were taken to an even higher level, it could produce something that not only has an etheric and astral body, but possesses an independent sentient intelligence residing therein.

The above can also be explained from the perspective of thoughtforms. The most basic thoughtforms are just passive etheric energy constructs comparable to sponges or fungi. The more developed ones have an astral body as well, and like animals they are hungry critters; astral succubi are an example. But the most evolved thoughtforms possess ego and personality.

The quintessential point is this: not only does demiurgic technology make use of etheric and astral energies, but it also creates artificial physical bodies to house any order of soul or thoughtform, from the lowliest etheric constructs to the highest individualized intelligences. (This technology is alien; I can see it being used nowadays in Grey worker drones and alien spacecrafts, whereby the physical vehicle is made autonomous by a resident etheric/astral thoughtform, a literal ghost in the machine).

What is the Grail Stone, what is the Ark Stone? My current theory is that it’s an advanced crystalline object housing an equally advanced thoughtform; and not just any thoughtform, but an entitized one. The Ark and Grail Stones are the pinnacles of High Demiurgic Technology, at least of what has fallen into human hands. The entitization is what makes it oracular and volitional. The intensified etheric field is what produces the various electromagnetic emissions. External etheric, astral, and archetypal inputs modify its behavior. The probability biasing effects of its etheric field can be amplified to allow for the manifestation of physical matter according to the entered archetypes and energies.

The Ark of the Covenant, as described in the Old Testament, ought to consist of the following components:

1) the Ark Stone as the physical body,

2) the Great Pyramid, Ark box, Tabernacle, and Temple of Solomon as housing for the body,

3) the vortical Shekhina as the soul (etheric and astral bodies), and

4) Yahweh, the Lord of the Israelites, as the residing ego. In mysticism, the soul is feminine relative to Spirit, thus the Shekhina is of feminine gender in Judaism since it is identically the soul of Yahweh. When the Shekhina leaves the Ark and travels about, that is comparable to astral projection.


In summary, the Ark Stone is a physical matrix possessed by a powerful entitized thoughtform created or invoked according to the operator/priest’s instructions. The Stone itself pre-existed the Jews, but for a time it was in their possession and they came under its control. If it seems belittling to call Yahweh a thoughtform, bear in mind that the universal Demiurge is a thoughtform also, and so are our own souls. Thoughtforms are not always insignificant things. The bigger question is whether the Demiurge, thoughtform, or soul in question is subordinate to Spirit/Creator or acting independently out of selfish motives. If the latter, then it exists only to perpetuate its own survival and carry out its prime directive through energy feeding and probabilistic control. Hence in my first article, I talked about the Corruption of the Demiurge and how its development of a lower ego divorced it from the harmony of Creation, turning it into a World Parasite. Gnostics equated Yahweh to the corrupted Demiurge.

In the next article I will discuss how the misuse of High Demiurgic Technology explains why the entitized intelligences communicating through the Ark and Grail were so unlike in their temperaments and goals, and what this means for our future. I will also get into the origins of the Grail and its role as a fulcrum in a grand chess game spanning ancient feuds to future timewars.

http://montalk.net/gnosis/184/ark-of-the-covenant